Saturday, August 29, 2026

While AI Worked, I Built a real Stage

An open letter to the people building AI, the people building with AI, and the ordinary humans still trying to figure it out.


I was building a stage for my daughter’s eighth birthday.

A real stage.

Lumber. Paint. Power tools. A trip to the hardware store.

I had invited a local nonprofit to bring rescued wild animals for a group of children at her birthday party, so I wanted to build something special for them.

There was a lot to do.

And there was still work sitting on my computer.

That was the problem.

I didn’t want to stop working.

I had that familiar feeling that if I walked away from the desk, I was falling behind.

So I did what we’re all being told we can do with AI now.

I gave the work to an agent.

I thought I could go build the stage while Nebula worked in the background.

For a little while, it felt like I had figured something out.

Maybe this was the future.

Maybe I didn’t have to choose between getting my work done and being present for my daughter.

Maybe I could do both.

And then I remembered something.

I had already learned this lesson once.


The podcast

Before the stage, I tried to create an AI podcast.

I wanted to hear a voice.

One clip.

I wanted to hear it, decide whether I liked it, and then keep going if it worked.

Instead, Nebula created more than twenty clips without stopping to let me hear the first one.

The voice was bad.

I was frustrated.

We had a conversation about it.

I needed it to stop.

Check with me.

Show me something first.

Then continue.

That seemed reasonable.

And I didn’t leave Nebula.

That’s important.

I stayed.

Part of that was because of Furqan, the CEO.

I haven’t always been the most polished person on X.

Sometimes I’m a caveman.

If something goes wrong after I’ve spent money on it, I’m probably going to take a screenshot and show exactly what happened.

I’m not very good at pretending everything is fine when it isn’t.

Furqan could have decided I wasn’t worth the trouble.

Instead, he listened.

He worked with me.

And when I had another problem, he put credits back in my account.

No giant administrative exercise.

No making me jump through hoops to prove I deserved them.

He paid attention and made a judgment.

That mattered.

I wasn’t looking for somebody to tell me I was right.

I was trying to learn.

His willingness to keep the door open meant I stayed on the platform.

I kept learning.

I kept experimenting.

I didn’t know where that would lead.

Then I went to build the stage

I wanted to learn about the 300-plus Angi services listed on Walmart.

I was researching the market because I wanted to understand what they offered and eventually build my own competitive list.

In my head, this was simple.

The services.

A list.

Something I could read and learn from.

I wasn’t asking for a data-engineering project.

I wasn’t asking for a giant database.

I wasn’t asking for item IDs, URLs, flags, reconciliation logic or documentation.

I wanted to understand what they were offering.

But I also had a daughter turning eight.

A stage to build.

And work on the computer.

So I gave Nebula the assignment and walked away.

And that part actually worked.

My FOMO disappeared.

I wasn’t sitting at the computer wondering whether I was falling behind.

I was outside.

I went to the hardware store.

I used power tools.

I worked with wood.

I painted.

I built something for my daughter.

Meanwhile, Nebula was running.

For those hours, I felt like I had gotten exactly what these systems promise.

Freedom.

Not necessarily freedom from work.

Freedom to decide where my attention belonged.

So I kept building.

And Nebula kept working.

For more than four hours.

Then I came back

Nebula had built a 36-column CSV.

Item IDs.

URLs.

Flags.

Deduplication logic.

Documentation.

A whole lot of work.

Just not the work I had asked for.

It had spent more than four hours going in the wrong direction.

And I had burned through several $10 top-ups along the way.

The money bothered me.

But the four hours bothered me more.

Because somewhere during those four hours, the system could have asked me one simple question.

It could have shown me ten examples.

It could have said:

“George, do you want a simple list, or do you want a structured dataset?”

It could have stopped.

It could have checked.

It could have found out that it was headed in the wrong direction before spending hours going there.

That was what frustrated me.

I wasn’t angry because AI made a mistake.

AI is going to make mistakes.

I’m going to make mistakes too.

I was angry because it had hours to find out whether it was making the right thing.

And it didn’t ask.


I will own my half

I’m not an engineer.

I’m not an AI researcher.

I’m not a professional prompt writer.

Sometimes my prompts are caveman prompts.

I could have been more specific.

I could have written:

Show me the plan first.

Don’t build anything yet.

Give me ten examples.

Wait for my approval.

I understand that now.

I’m learning.

But I also don’t think ordinary people should have to anticipate every possible way an autonomous system might misunderstand them before they let it work.

Both things can be true.

I have more to learn.

The systems have more to learn.

That’s where I stand.


I was angry

I said so.

Probably not elegantly.

I took screenshots.

I copied and pasted what the system had actually told me.

I put it on X.

That’s me.

I’m not trying to become the polished AI guy.

I’m a former U.S. Army Staff Sergeant.

I’m a husband.

I’m a father.

I’m self-employed.

I’m a guy trying to figure out what these technologies actually mean in a normal human life.

Sometimes I get frustrated.

Sometimes I say things too bluntly.

But I would rather show people what actually happened than pretend I’m an expert.

That’s part of why I keep posting the screenshots.

Somebody building the system might see them.

Maybe they learn something.

Maybe another user sees one and realizes they’re not the only person having trouble.

Maybe the system gets better.

That’s my contribution.

I’m one of the people living through this early period in real time.

Twenty years from now, we may look back at all of this and realize how primitive we were.

That’s okay.

Somebody has to be the caveman first.


The strange thing is, I stayed

And this is where Furqan matters again.

He gave me room.

He listened.

He put credits back in my account.

He didn’t make the relationship about winning an argument.

He allowed me to keep building.

He probably thought he was giving me the ability to keep building with Nebula.

He was.

But something else happened.

I kept building in the real world.

Furqan operates in the San Francisco technology and founder world.

He understands live events.

He understands bringing people together.

He understands the energy of giving people a place to show up, participate and build something together.

And that’s what made this whole thing feel almost strange to me.

His intention was to give me room to keep building.

That intention traveled three hours south.

To Fresno.

To a father with lumber and paint.

To a stage.

For children.

I don’t know exactly what you call that.

Maybe coincidence.

Maybe intention.

Maybe energy.

Maybe it’s simply one human being doing something decent for another human being and never knowing where that kindness will go.

I just know where it went for me.

It became physical.

It became a stage.

And then I realized something about myself

This might actually be the most important part of the whole experience.

I had created some of the pressure myself.

I was afraid of missing out.

I was afraid that if I stopped working at my desk, something important would be left undone.

So I reached for AI.

I thought I was being efficient.

But I could have simply stopped.

I could have closed the computer.

I could have gone to the hardware store.

I could have built the stage.

The work would still have been there later.

The world would not have ended because I stepped away from my desk.

I wasn’t necessarily behind.

I was afraid of being behind.

That’s different.

And I think a lot of us are going to have to figure that out.

Because there is a new kind of FOMO developing around AI.

If the machine can work while I’m doing something else, shouldn’t I always have it working?

If an agent can do ten things, shouldn’t I give it ten things?

If I’m not using AI, am I wasting time?

Maybe.

But maybe not.

Maybe I’m at my daughter’s birthday.

Maybe I’m building something.

Maybe I’m talking to my wife.

Maybe I’m helping somebody.

Maybe I’m just sitting outside.

Maybe doing nothing with AI is exactly the right thing to do.


To the people building AI

I’m probably not your ideal user.

I’m not an engineer.

I’m not an AI researcher.

I’m not fluent in the terminology.

Sometimes I give you caveman prompts.

Sometimes I misunderstand what the machine can do.

Sometimes I get angry.

But I’m here.

And so are millions of people like me.

We’re going to ask questions badly.

We’re going to misunderstand things.

We’re going to use these systems in ways you didn’t anticipate.

We’re going to complain when we spend money and don’t get what we expected.

Please don’t dismiss that.

We’re not necessarily resisting the technology.

We’re trying to learn it.

And you’re trying to learn us.

That’s a two-way process.

Every strange interaction is information.

Every screenshot is information.

Every “that’s not what I meant” is information.

The people building these systems need people like me.

Not because we’re sophisticated.

Because we’re not.

We are the people these technologies eventually have to work for.


To the people using AI

You don’t have to know everything.

You don’t have to sound professional.

You don’t have to pretend you’re an expert.

You can learn.

But here’s the rule I earned the hard way:

Before you ask AI to do something, ask yourself whether you actually need the AI to do it.

If you do, start smaller than you think.

Show me the plan.

Show me one example.

Let me approve it.

Then do the rest.

Plan.Sample.Approve.Run.

And if you’re paying for autonomous work, remember that you’re not only spending money.

You’re spending time.

And time is the one thing you don’t get back.


Why I’m building GeorgieJobs

This experience is also part of why I’m building GeorgieJobs.

It isn’t because I want to become an AI expert.

I’m trying to solve a problem I live with.

I’m self-employed.

I have customers.

Work.

Family.

Responsibilities.

Projects.

All the ordinary chaos of being one person trying to keep everything moving.

Large organizations have management layers.

Operations people.

Systems that synchronize the work.

Most small-business owners don’t.

They carry the whole thing around in their heads.

I believe AI and agents can eventually become an operating layer that helps ordinary people synchronize their work and personal lives without taking away their humanity or dignity.

Not two lives.

One life.

But that means the system has to understand something important.

Sometimes the human wants more work done.

Sometimes the human wants to stop working.

Sometimes the human needs the machine to ask.

Sometimes the human needs the machine to stop.

And sometimes the human doesn’t need AI at all.

Sometimes the human needs to go build a stage.

#georgiejobsapp
GeorgieJobsApp

Back to the stage

Nobody at that birthday is going to know what happened on my computer that day.

They won’t know about the CSV.

They won’t know about the four hours.

They won’t know about the credits.

They won’t know that a CEO in San Francisco gave a frustrated guy in Fresno enough room to keep trying.

They’ll just see a stage.

My daughter will see something her dad built for her.

The children will have somewhere to gather.

The rescued animals will be there.

And I’ll know the strange chain of events that helped make it happen.

A frustrated user.

A CEO willing to listen.

A few credits that gave me enough room to keep experimenting.

An AI agent running for hours.

A father dealing with FOMO.

A trip to the hardware store.

Lumber.

Paint.

Power tools.

And a birthday coming.

That’s what I keep thinking about.

The technology isn’t the destination.

The technology is supposed to serve the life.

The life isn’t supposed to serve the technology.

I don’t know if Nebula is the right platform for me forever.

I don’t know if I’m the right user for every AI system.

I’m still learning.

So are they.

But I’m grateful I stayed.

I’m grateful Furqan kept the door open.

And I’m grateful that, somehow, all of this digital experimentation helped me find something very physical.

A place for people to gather.

Something my daughter will remember.

Maybe that’s the strange promise of this moment we’re living through.

We’re building machines that can do more and more things.

And we’re still trying to figure out what all that capability is actually for.

For me, at least right now, I think I know.

It’s not so I can spend every minute doing more.

It’s so I can have more freedom to decide what matters.

Sometimes that means letting the machine work.

And sometimes it means turning the computer off and picking up a power tool.

I built a stage.

My daughter will turn eight.

And for one afternoon, a bunch of kids will gather around it to see rescued wild animals.

That’s real.

That’s the part that matters.


$70 on Nebula.

Four-plus hours of an AI agent going in the wrong direction.

And a stage my daughter will enjoy on her eighth birthday.

Priceless.


Writen by:

George Ohan

Grok

ChatGPT


For:

Central Valley AI

Normie and Norma

#NormieAndNorma

Thursday, August 20, 2026

AI for small business by George Ohan in Fresno, California

Imagine stepping into a sunny café, the kind with rustic wooden tables and the smell of freshly ground coffee. You're meeting a friend, one who's uncommonly skilled in untangling the knots of modern business conundrums. "So," your friend says, settling into the chair across from you, "let's talk about how a film producer's new AI toolkit, like Replit, can help solve those marketing and video editing issues you've been wrestling with." You nod enthusiastically, eager to embark on this unexpected journey through the intricate world of video production enhanced by artificial intelligence.

Now, you might be thinking, why all the fuss about AI in film production? Surely, your business isn’t launching the next box office hit. And it's true—you’re not hunting for an Oscar. But let’s face it, as a small business owner, you’re often single-handedly crafting marketing campaigns, showcasing your brand to the world with limited resources. If only there were a magical tool to spruce up your video content, make your marketing efforts smooth as butter, and perhaps even add a little professional shine without burning through your budget. Well, here's where AI tools like Replit step in, ready to play an indispensable role in your entrepreneurial story.


You see, small business owners often wear many hats, transforming into marketing maestros by day and video editors by night. It’s tiring work. Editing software is complex, time-consuming, and usually meant for the pros. But imagine having a pocket-sized wiz that helps you perform tasks like cutting, splicing, and polishing videos, presenting your business in its best light. With the latest AI tools, this dream is no longer a fairy tale but a reality as close as your keyboard. 


Replit, a platform initially adored by coders and developers, has cleverly harnessed the power of AI to assist in diverse fields—film production being one of them. By integrating cutting-edge AI capabilities, Replit provides small business owners like you with tools to refine those raw video clips into compelling narratives that resonate with your audience. It's like having your very own film producer, assisting in every detail from refining the script to polishing the final product.

George Ohan

Consider the challenge of creating engaging marketing content with limited time and resources. Perhaps you're showcasing a new product line or sharing customer stories. Previously, this might have required you to outsource to a costly professional, guesstimating timelines and hoping for the best. With Replit and its kin, those days are behind you. AI guides the way, offering intuitive solutions tailored to your specific needs, no instructions manual required.


Take, for example, the tedious task of color correction. Maybe your promotional video was shot in less-than-ideal lighting, leaving your product’s vibrant colors dulled and lackluster. With traditional video editing software, adjusting the color balance might feel like a journey through a tangled forest of buttons and sliders. But an AI tool helps make this as easy as having a friendly consultant standing over your shoulder, suggesting just the right adjustments to bring your video to life with vivid clarity.


Let's not forget the marketing angle. Videos are only as effective as the engagement they inspire. Ever wished you had an ally to help tweak the length of your videos for different platforms or suggest optimal posting times? AI steps into that role beautifully, analyzing trends and providing insights on how to maximize reach and impact, whether you're posting on social media or enhancing your website's appeal.


Now, I know what you might be asking yourself: how does it work? How does an AI-powered tool actually solve these problems? Imagine AI as a behind-the-scenes creative partner. It doesn't create the vision for you, but it helps manifest your existing dreams more efficiently and with greater ease. It's like having a knowledgeable intern who can edit hours of footage while you pour your focus into crafting the message and engaging directly with your customers.


And speaking of engagement, let's address something close to every small business owner’s heart—those moments of panic when tech doesn’t work as anticipated. AI removes the fear of the unknown by offering solutions that are backed by highly developed algorithms, reducing the trial-and-error stress you’ve likely grown all too familiar with. You receive suggestions, improvements, and polished results that could otherwise take a non-AI user hours, if not days, to accomplish.


Let's bring this back to reality. Picture Sarah, a small boutique owner who, with AI's help, rediscovered her evenings because she wasn't painstakingly editing video content after-hours anymore. Or think of Joe, the gym owner who quadrupled video views by adjusting his content strategy based on insights provided by the AI toolkit. These are not distant dreams; they're right within your grasp.

Replit - Top 1% Builder
George Ohan

So, how do you get started? The beauty of AI tools like Replit lies in their accessibility. Setting up and learning these systems takes far less time than traditional methods. You won’t need to bury yourself in coding classes or post-production seminars. Instead, you’ll find user-friendly interfaces that welcome you with open arms, almost like a gripping page-turner that you breeze through because it’s just so compelling.


In the end, if there’s one point to take away, it’s this: Integrating AI can transform your business, saving you precious time, refining your marketing efforts, and elevating your video content all at once. And as you stand poised on the brink of this transformation, doesn’t it make sense to explore how it can fundamentally redefine the way you connect with your audience?


Why not set aside a moment to discover exactly how we can work together to weave these threads into the fabric of your business strategy? Whether it’s pinpointing the perfect way to infuse AI into your workflow or finding innovative ways to engage your audience, the opportunities are endless—and designed to grow with you. Let’s chat, fuelled by that ever-essential cup of coffee. Reach out when you’re ready, and let's bring your business to its next horizon.

Blue Collar Youth in Trades
Cinema Charity


Sunday, July 26, 2026

Why I Built Barter Harder: A Free Marketplace for Trading Instead of Spending

The economy is changing.

Artificial intelligence is changing the way we work. Prices continue to rise. Small businesses are adapting. Families are looking for new ways to stretch every dollar.

Instead of worrying about what comes next, I decided to build something.

I'm not a software engineer. 

I'm an Army veteran, filmmaker, handyman, husband, and father living in Fresno, California. 

Using AI and Replit, I built BarterHarder.org—a free online marketplace where people can trade goods and services without using money.

The idea is simple.

Most people already have something valuable.

Maybe it's a set of tools.

Maybe it's photography skills.

Maybe it's lawn care, tutoring, sewing, computer repair, or video editing.

Someone else needs exactly what you have, and they probably have something you need.

That's where Barter Harder comes in.


Why Bartering Still Matters

Bartering isn't a new idea. It's one of the oldest forms of commerce.

Long before online shopping and digital payments, neighbors traded with neighbors. People exchanged labor, food, equipment, knowledge, and services because it helped everyone move forward.

I believe that idea is just as relevant today.

Money isn't always available, but value almost always is.

A carpenter can trade for accounting help.

A photographer can trade for plumbing work.

A mechanic can trade for childcare.

These aren't handouts. They're fair exchanges that help people keep moving.


Why Fresno?

I live in Fresno, California, and I believe this is one of the most entrepreneurial cities in America.

Every day I meet people building businesses, learning new skills, fixing things instead of replacing them, and helping each other succeed.

That's the spirit Barter Harder was built for.

I hope it grows here first, then spreads to communities everywhere.


AI Meets Old-School Community

People ask me if AI is replacing jobs.

My answer is that AI is also creating opportunities.

I used AI to help build Barter Harder.

But AI didn't create the idea.

AI didn't build the relationships.

AI didn't create trust.

People do that.

Technology can help us build better tools, but communities are still built by people helping people.

I think the future belongs to both.

Who Can Use Barter Harder?

Everyone.

Families looking to save money.

Veterans transitioning into civilian life.

Churches serving their communities.

Nonprofits stretching limited budgets.

Students.

Small business owners.

Artists.

Filmmakers.

Tradespeople.

Anyone with something to offer.

Because everyone has something of value.


Take a Look

Barter Harder is completely free to use.

Browse listings.

Post what you have.

Find what you need.

Make a trade.

I'd love to hear your ideas, your feedback, and your success stories.

Visit: https://BarterHarder.org


The future isn't just about earning more.

Sometimes it's about making better use of what we already have.

I believe AI and community can work together.

That's what Barter Harder is all about.

— George Ohan

@georgeohan on instagram


Barter Harder is part of the Georgie Jobs App family of community tech platforms.


Sunday, May 24, 2026

Verified Proof-of-Concept for a Veteran-Led Global Storytelling + Emerging Media Platform

TAMPA BAY VETERAN MEDIA SHOWCASE 2026

The inaugural Tampa Bay Veteran Media Showcase (May 20–21, 2026, Plant City, Florida) functioned as a live proof-of-concept for a scalable cultural infrastructure model at the intersection of veteran storytelling, global independent media creation, and emerging creative technology.

CORE RESULTS (YEAR ONE)

  • 558+ submissions
  • 40+ countries represented
  • Multiple formats: film, screenplay, animation, photography, documentary, AI-generated media
  • Entire event was free for all attendees (veterans and civilians)
  • No paywalls for screenings, food, or community spaces

This structure eliminated traditional barriers such as cost, access, geography, and institutional gatekeeping.


KEY FINDING: GLOBAL DEMAND IS REAL

The submission volume confirmed strong international demand for platforms that:

  • Support emotionally driven storytelling outside studio systems
  • Provide equal access to veterans, civilians, and independent creators
  • Accept emerging AI and independent development tools
  • Prioritize meaning and authenticity over industry gatekeeping

Submissions came from regions including Ukraine, Israel, South Korea, India, Taiwan, Bulgaria, Russia, North Macedonia, Mexico, the United Kingdom, the United States, and others shaped by war, migration, and generational trauma.

This positioned the showcase as a global storytelling aggregation point, not a local event.


EVENT MODEL: FREE ACCESS + HIGH ENGAGEMENT DESIGN

The entire event was intentionally free:

  • Free admission for all attendees
  • Free screenings
  • Free food and hospitality (popcorn, drinks, pizza, wings)
  • Open community spaces
  • Interactive gaming area in the lobby

This created a high-engagement environment where attendees stayed longer, interacted more, and naturally formed connections across groups.


REAL-WORLD OUTCOMES AND NETWORK EFFECTS

The event produced measurable real-world collaboration activity during the showcase itself.

Attendees were not just watching films. They were building relationships and initiating projects.

Example collaboration outcome:

Veteran advocate Judy Wise began direct collaboration discussions with a member of American Legion Vanguard Post 1337 regarding development of a website for her nonprofit organization, Honoring Our Heroes.

This demonstrates that the event generated immediate downstream action, not just passive attendance.


TECHNOLOGY AND INNOVATION LAYER

A defining feature of the inaugural year was integration of emerging creative technologies:

  • AI-assisted filmmaking submissions
  • Independent digital production tools
  • A dedicated “Built on Replit” category recognizing code-built creative projects and vibe-coding workflows

Founder and Finance Officer George Ohan (U.S. Army veteran, American Legion Vanguard Post 1337) independently developed parts of the showcase infrastructure using Replit and AI-assisted development tools.

This reflects a broader shift:

Creative infrastructure is becoming accessible to individuals, not just institutions.


CULTURAL RANGE AND CURATION STRATEGY

The showcase was intentionally not limited to military content.

Selected works included:

  • PTSD and veteran recovery stories
  • International war-related narratives
  • Experimental animation
  • Comedy and absurdist works
  • Children’s storytelling
  • AI-generated films
  • Photography from Antarctica

One finalist photography project captured imagery from Antarctica, highlighting the geographic and conceptual reach of the submission pool.

This demonstrated a range spanning from conflict zones to the most remote environment on Earth.


CROSS-SECTOR VALIDATION

The event included participation from:

  • Special guest Khetphet “KP” Phagnasay (KP1 Studios), known for roles in Dahmer: Monster and Interview with the Vampire
  • Veteran-led feature and documentary filmmakers
  • International independent creators
  • AI-native and experimental media artists
  • Projects associated with Gary Sinise and the film Forrest Gump
  • Screening of Sgt. Stubby: An American Hero in recognition of USA 250

This created a rare convergence of veterans, civilians, industry participants, and emerging technology creators in one shared environment.


COMMUNITY AND ENVIRONMENTAL DESIGN

The event was structured to encourage informal interaction and community building:

  • Entire event free for all attendees
  • Hospitality-driven environment (food, seating, shared spaces)
  • Gaming area for youth and families
  • No separation between “industry” and “public” zones

In practice, this created high-density social interaction across veterans, civilians, creators, and community members.


KEY INSIGHT

The most important signal from Year One is not just participation volume.

It is behavioral:

People stayed longer.
People talked more.
People collaborated in real time.
People initiated projects during the event itself.


STRATEGIC TAKEAWAYS

  1. There is validated global demand for veteran-centered storytelling platforms
  2. AI and low-code tools are dramatically lowering creative entry barriers
  3. Free-access models increase engagement and collaboration density
  4. Veterans organizations can function as cultural and technology hubs
  5. The submission pool confirms international relevance, not local interest only
  6. Real-world collaborations occurred during the event, not after it

CONCLUSION

The inaugural Tampa Bay Veteran Media Showcase demonstrated that a small veteran-led initiative can operate as:

  • a global storytelling platform
  • a creative technology testbed
  • and a real-world collaboration environment

It is not best understood as a festival.

It is best understood as a validated prototype for a scalable cultural infrastructure model that connects veterans, civilians, and global creators through storytelling and emerging technology.

Built by:

George Ohan

U.S. Army veteran

Monday, May 18, 2026

Veterans Media Showcase 2026 Brings International Independent Films to Plant City, Florida

May 20–21, 2026

Plant City PREMIERE LUX 8 and Pizza Pub Lake Walden

220 W Alexander St, 

Plant City, FL 33563

(813) 719-7600

FREE Tickets Available on Eventbrite

The Tampa Bay Veterans Media Showcase (TBVMS) is not simply a film festival.

It is a gathering built around humanity, storytelling, ethics, remembrance, respect, and conversation.

Taking place May 20–21, 2026, in Plant City, Florida, the showcase brings together independent filmmakers, veterans, artists, military families, students, and community members for two days of cinema designed to create connection rather than division.

The selected films are not necessarily “military movies.”

Some are serious.
Some are experimental.
Some are humorous.
Some are deeply emotional.
Some were made with AI-assisted tools.
Some come from countries shaped by war, displacement, generational trauma, isolation, or survival.

Together, they create something with intent. . . 

At the Veterans Media Showcase, films are curated not only for entertainment value, but for the emotional conversations they may create afterward.

“Art has done its job when two strangers leave a screening and begin a meaningful conversation.”

More Than a Screening

Many veterans and military families carry experiences that are difficult to explain — and sometimes difficult to even begin discussing.

Film can help open that door.

Through animation, documentary, experimental cinema, AI-assisted storytelling, and independent filmmaking, the showcase creates an environment where difficult conversations can happen naturally and non-invasively.

The goal is not political debate.

The goal is human understanding.

Some audience members may see reflections of their own lives on screen. Others may gain empathy for experiences they have never personally lived. Some may simply leave entertained, thoughtful, or emotionally moved.

That is the purpose of the showcase.

Two Days. Two Auditoriums.

This year’s Veterans Media Showcase features two auditoriums operating simultaneously.

Every screening block runs twice, allowing audiences flexibility throughout the day. Guests can begin with either the feature presentation or the short film block, then switch auditoriums during the afternoon crossover.

Films switch auditoriums at 12:30 PM so attendees never miss the opportunity to experience both programs.

Doors Open

10:00 AM

Screenings Begin

10:30 AM

The showcase takes place during both Memorial Month and Asian American & Pacific Islander Heritage Month — a meaningful overlap that reflects the event’s emphasis on honoring service while also honoring story, identity, migration, and cultural memory.

International Independent Films on the Big Screen

Independent filmmakers often spend years developing projects with limited budgets, volunteer crews, borrowed equipment, and personal sacrifice.

For many creators, simply seeing their work projected onto a movie theater screen for a live audience is a major milestone.

The 2026 Veterans Media Showcase includes films from:

  • United States

  • India

  • Taiwan

  • Ukraine

  • Israel

  • South Korea

  • North Macedonia

  • United Kingdom

  • Russian Federation

These stories will be experienced communally in a real cinema environment — the way film was originally intended to be shared. Humans will share and enjoy each other's light.

May 20, 2026 — Brothers After War

Feature Film

Brothers After War — USA

Selected Short Films block

The Letter He Carried (AI)
India — 4:28

Infected
Taiwan — 3:00

Shell Shock
USA — 10:46

The Sound of Music of the War
Ukraine — 2:00

True Treasure
USA — 11:58

The Provision
South Korea — 14:57

The Shelter (AI)
Israel — 5:00

For My Brothers
USA — 13:38

Total Runtime

1 hr 5 min 47 sec

Possible Bonus Feature

Screened last if played.

Disorder in the Barracks
USA — 8:34

Marcus Beaufils’ U.S. Army infantry mount training video shot on VHS offers an unfiltered glimpse into military life and memory captured through analog media.

#GeorgieJobsApp
Blue Collar Youth in Trades


May 21, 2026 — SGT Stubby 

Feature Film

SGT Stubby — USA


Selected Short Films

Life of a Kitten With a Tracheostomy
North Macedonia — 4:34

Fetch
India — 5:16

The Pain
India — 1:00

Grandma's Alice Fairytales: “Taiga's King”
Novosibirsk, Russia — 3:20

Unidentified
United Kingdom — 1:30

Coast to Coast: Director's Cut
USA — 6:57

No Credit, Big Problem
USA — 6:00

Cloud Poop
South Korea — 5:47

How a Giraffe and a Raccoon Saved the Moon
Saint Petersburg, Russia — 9:00

Call From Mexico
USA — 10:19

Total Runtime

55 min 24 sec

Meet & Greets With Actors and Creators

Actors from Hollywood productions and local independent projects will be present throughout the showcase for meet & greets and audience interaction.

This creates an opportunity for attendees to connect directly with the people behind the stories — including veterans finding new ways to tell their own.

Featured Guest: 

Khetphet “KP” Phagnasay

Actor • Director • Producer • Founder of KP1 Studios

Khetphet “KP” Phagnasay’s story reflects resilience, displacement, survival, and the transformative power of storytelling.

A refugee from Laos who later became a Hollywood actor and filmmaker, KP has dedicated much of his career to helping tell stories rooted in authenticity and humanity.

His work is not autobiographical, but it is deeply informed by lived experience — including migration, adaptation, and the search for belonging.

His credits include:

  • Netflix’s Dahmer – Monster: The Jeffrey Dahmer Story

  • AMC’s Interview With The Vampire

  • The Brothers Sun

Through KP1 Studios, he mentors emerging creatives while helping amplify underrepresented voices in film and media.

Our Stance on AI — The Stewardship Clause

The Veterans Media Showcase embraces AI as a creative collaborator, not a replacement for human storytelling.

Projects utilizing AI are asked to include an AI Usage Statement explaining how the technology was used responsibly and ethically.

Whether AI assisted with editing, animation, visuals, or character creation, the showcase asks filmmakers to demonstrate how human vision guided the machine toward empathy, responsibility, and connection.

The goal is not automation for its own sake.

The goal is meaningful storytelling.

Veterans Organizations and Community Partnerships

The showcase is supported by organizations, businesses, and individuals who believe in building honest community-centered events in Plant City and the Tampa Bay region.

Standing With Us

  • Premiere Cinemas — Host Venue

  • Cinema Charity — 501(c)(3) Fiscal Sponsor

  • American Legion Vanguard Post 1337 — Strategic Veteran Partner

  • Spouse-ly — Military Spouse Marketplace

  • KP1 Studios — Production Partner

  • Holiday Inn Express & Suites by IHG — Hospitality Supporter

  • GeorgieJobs App — Blue Collar Technology Platform

  • FilmFreeway — Film Submission Platform

  • William Brower Jr. — Author & Historian

  • Optivor AI — AI & Technology Supporter

  • BE Studio Records — Veteran-Owned Recording Studio, Puerto Rico

Every partnership represents a conversation, a handshake, a recommendation, or a shared belief in the value of storytelling and veteran community outreach.

Building Community Beyond the Theater

For seven years, Judy Wise and the Elks Lodge — alongside Historic Plant City Main Street — have organized a Veterans Lunch each November to honor veterans and military families through a simple but meaningful community meal.

No gimmicks.
No politics.
Just neighbors showing appreciation.

Now, the Tampa Bay Veterans Media Showcase is proud to stand alongside that effort.

Marcus Beaufils and Judy Wise are working together to help connect both events — the May showcase and the November Veterans Lunch — into something that serves the community year-round.

Anyone can participate.

Buy a movie ticket.
Support a breakfast donation.
Attend a screening.
Shake someone’s hand.
Start a conversation.

That is what this showcase is really about.

FREE Tickets

Eventbrite:
https://www.eventbrite.com/e/veterans-media-showcase-tickets-1989152973089

Official Website:
https://veteransmediashowcase.com/

#VeteransMediaShowcase
#TBVMS
#PlantCityFlorida
#TampaBayEvents
#FloridaFilmFestival
#IndependentFilm
#Veterans
#MilitaryFamilies
#Cinema
#FilmFestival
#AsianAmericanPacificIslanderHeritageMonth
#MemorialMonth

San Francisco, California
George Ohan

Thursday, January 1, 2026

Innovative Collaboration Between Veterans, Civilians, and VetFlicks at the Historic Crest Theatre

Organized by two U.S. Army veterans, the volunteer-run pilot combined AI education, blue collar skilled trades mentorship, actor training, and film programming, highlighting constructive civilian–military engagement.

FRESNO, CA, January 01, 2026 /24-7PressRelease/ — A veteran-led, volunteer-supported community event was held Monday in Fresno, bringing together veterans, civilians, and local youth for structured education, workforce exposure, and constructive civilian–military engagement.

@georgeohan

The event, titled Military Movies on Mondays, was organized by George Ohan, a U.S. Army veteran, former staff sergeant, and current patient at the Fresno Veterans Affairs Medical Center. The idea originated with Mr. Marcus Beaufils, CEO of VetFlicks, who is also a U.S. Army veteran, and formerly worked in film distribution at NBC Universal in Hollywood. Designed as a community-based pilot, the initiative aimed to demonstrate how veterans can lead safe, ethical, and educational mentorship.

Programming included hands-on demonstrations introducing participants to artificial intelligence concepts through “vibe coding” on the platform Replit. During one session attended by a VA employee, a civilian participant created a rapid, non-HIPAA, non-factual website mockup to illustrate how a common logistical and inventory-related workflow in hospital settings could be visualized. The demonstration was limited strictly to illustrative purposes and did not involve patient data, protected health information, or operational VA hospital systems.

Workforce development was also a central component of the event. A Blue-Collar Youth in Trades segment introduced local youth to practical career pathways in plumbing, electrical work, and general trades. Veterans and skilled workers facilitated discussions focused on mentorship, skill development, and long-term employment stability.

Additional activities included no-fee table set up participation for local small businesses, recreational gaming, entertainment-industry training, and screenings of international short films and centered on military-related themes. KP Phagnasay, actor from the Netflix series ‘Dahmer’ led the high energy talent training workshops.

The event was supported by community partners including the U.S. Army station commander SFC Campos, Fresno Ag hardware store, and the American Legion Gaming Vanguard Post 1337. All staffing and operational roles were filled by volunteers, reinforcing a community-first approach centered on service and collaboration rather than commercial activity.

Congratulations are in order to Ryan Curtis and the entire team behind ‘Fathers and Sons’ short film for taking home the Best Film award winner at the inaugural “Military Movies on Mondays” event! This powerful upcoming feature explores the complex and often unspoken bonds between generations, weaving themes of family, duty, sacrifice, and reconciliation with raw authenticity.

Mr. George Ohan noted that positive conversations and encouragement from staff at the Fresno VA Medical Center, including Claudia Solis, Brian Becker, and Mark Smith, helped reinforce the value of peer connection, veteran-led community-based initiatives that support reintegration, and positive civilian–military interaction.

The Fresno gathering served as an inaugural pilot for Military Movies on Mondays, a proposed recurring series intended to take place on Mondays at local cinemas or theaters across the USA. Organizers are currently evaluating future iterations of the program with an emphasis on veteran leadership, education, mentorship, and appropriate collaboration with local institutions.

Since the event passed, Plant City Premiere Lux 8 near Tampa Bay, Florida have reached out and shown interest in hosting a similar event at their cinema.

American Legion Gaming Vanguard Post 1337 is a veteran-led community organization dedicated to supporting veterans, their families, and the broader public through service, mentorship, and civic engagement. The post focuses on creating inclusive spaces where veterans can lead educational, workforce, and community-building initiatives. 

Through volunteer-driven programs and partnerships with local institutions, Vanguard Post 1337 emphasizes responsible veteran leadership, peer connection, and constructive civilian–military collaboration while upholding the core values of The American Legion.

Website: https://alpost1337.org

PRESS RELEASE FOUND HERE: 

Links valid until until Dec 30, 2026

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San Diego Bulletin

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SiliconValley .com

CBS Lake Charles, LA

Fort Meyers Florida
#georgiejobsapp

Wednesday, December 24, 2025

Inaugural "Military Movies on Mondays" Celebrates Global Military Stories on the Big Screen in Fresno


American Legion 

Vanguard Gaming Post 1337

Brought to you by
http://alpost1337.org/ 

Military Movies on Mondays
Historic Crest Theatre
Fresno, California
Photography by: Cody Smith
6735 N.Millburn Ave. Ste 100 
Fresno, CA 93722 
(559) 836-9213


Actor / USMC veteran
Michael Broderick

WINNER!
'FATHERS & SONS'

Best Film WinnerCongratulations to Ryan Curtis and the entire team behind Fathers and Sons for taking home the Best Film award at the inaugural "Military Movies on Mondays" event! This powerful upcoming feature explores the complex and often unspoken bonds between generations, weaving themes of family, duty, sacrifice, and reconciliation with raw authenticity.
Directed by veteran filmmaker Ryan Curtis and featuring standout performances from Michael Broderick (True Detective, Justified) as "Tom" and Tim Abell (We Were Soldiers) as "Del," the film resonated deeply with our audience when projected on the big screen at Fresno's Historic Crest Theatre, earning top honors for its heartfelt storytelling and emotional depth. Made years ago yet still profoundly relevant today, this timeless story continues to move viewers—a truly well-deserved win!
DirectorRyan Curtis
Known for Oscar Mike and Sports TV.
WriterVernon Mortensen
Credits include Army Dog and A Sierra Nevada Gunfight.
Producers
  • Michael Broderick
  • Ryan Curtis
Key Cast
  • Michael Broderick as "Tom"
    Previously seen in True Detective, Justified, and Power.
    Instagram: @thatbroderick
  • Tim Abell as "Del"
    Known for We Were Soldiers and I Am That Man.
    Instagram: @timabell
  • Tyne Stecklein as "Rhonda"
    Appeared in True Blood.
    Instagram: @tynestocklein
Director of PhotographyRaphe Wolfgang
Credits include Artificial and Sports TV.
Instagram: @shotbymrraphe
Camera DepartmentDustin Miller
Worked on Brooklyn Nine-Nine and Day of Days.
GafferCamilo Lara Jr.
Known for Lady Bird and Ghosted.
Sound MixerJon OrrSound DesignerHall Cantrell
Credits include The Misfits and Man in the Arena.
EditorRaphe Wolfgang
Instagram: @shotbymrraphe
ComposerNick Gomez
Known for Oscar Mike and Mayhem of the Mind.
Music SupervisorAbe Bradshaw
Credits include The Black String and Another Time.
Production Assistants
  • Lucia Tarantino
  • Alan Bernhoft
Director Biography - Ryan CurtisRYAN CURTIS grew up outside of Boston, Massachusetts. Attending Fitchburg State University on a basketball scholarship, Ryan studied Broadcast Journalism and Theater. While in college, Ryan joined the US ARMY. Serving eight years with two deployments, Ryan attributes his creative passion and leadership to his time and valuable training in the military.
Following his service, Ryan chased his dreams of storytelling to Los Angeles and the film industry. He has Executive Produced and Directed two Veteran oriented series for Verizon’s Go90 network and has directed original content and spots for clients such as: NIKE, Evan Williams, Audi, Under Armour, Stephen Curry, ABC and long time client Oprah.

Actor / U.S. Army veteran
Tim Abell
#GeorgieJobs


WINNER!

Spotlight: Audience Choice Award Winner – 'For My Brothers'We're thrilled to highlight one of our festival's standout films: the powerful short documentary 'For My Brothers', an intimate portrait of Medal of Honor recipient Sammy L. Davis.
Directed by veteran filmmakers Todd Tetreault and Nathan Tetreault, this moving film offers "A Day in the Life" with Sammy L. Davis as he reflects on the extraordinary heroism that earned him the nation's highest military honor, the profound meaning it holds for him, and how he continues to honor its legacy today.For My Brothers is currently available to stream on VetStream TV, a platform dedicated to veteran stories and content.
The film has garnered well-deserved recognition, including Audience Choice Award at our festival, as well as Best Vietnam Short Film at the MVA Awards. These honors reflect the deep emotional impact it has on viewers, celebrating brotherhood, sacrifice, and resilience.About Sammy L. DavisSammy L. Davis is a legendary Vietnam War hero whose actions on November 18, 1967, at Firebase Cudgel (west of Cai Lay, Vietnam) exemplified unimaginable bravery. Outnumbered by a massive enemy force, Davis—despite severe injuries including a broken back—manned a howitzer alone, provided covering fire, and famously crossed a river on an air mattress under heavy fire to rescue three wounded comrades. He continued fighting for hours until the enemy retreated.
For his "conspicuous gallantry and intrepidity at the risk of his life above and beyond the call of duty," Davis was awarded the Medal of Honor by President Lyndon B. Johnson in 1968. Iconically, footage from his award ceremony was featured in the Oscar-winning film Forrest Gump (with Tom Hanks' face superimposed).
Davis, often called the "Real-Life Forrest Gump," has dedicated his life to veterans' causes, speaking to millions about duty, honor, and perseverance. His motto: "You don't lose 'til you quit trying." He is also the author of the book You Don't Lose 'Til You Quit Trying: Lessons on Adversity and Victory from a Vietnam Veteran and Medal of Honor Recipient.Looking Ahead: The Feature Film CudgelFor My Brothers serves as an inspiring stepping stone to a larger project: the upcoming feature film Cudgel, a biographical war drama telling the full inspirational story of Sammy L. Davis's life, courage, and enduring hope.
This short documentary beautifully captures the heart of what makes Sammy L. Davis's story so timeless and uplifting. If you haven't seen it yet, head over to VetStream TV—it's a must-watch for anyone moved by true stories of heroism and brotherhood.
Congratulations again to the Tetreault Brothers and Sammy L. Davis on this heartfelt Audience Choice winner.

Honorable Mention: Strings – From India to California's Big ScreenStrings earns a well-deserved Honorable Mention at the inaugural "Military Movies on Mondays" event in Fresno, California—a breakthrough for emerging Asian talent. This inventive short, directed by first-time UPES student Neha Ganesh Kumbhar, screened on the big screen at the Historic Crest Theatre, where audiences applauded its fresh metaphor for workplace endurance and authority.
Created in India on a tiny budget of just 3,000 INR (~$36 USD), this stop-motion student project overcame major hurdles to reach a U.S. platform focused on resilience stories. Neha navigated cultural barriers, visibility challenges, and international submission logistics to share the stage with established Hollywood names like Michael Broderick (True Detective), Tim Abell (We Were Soldiers), and director Ryan Curtis (clients: NIKE, Under Armour, Oprah). It also screened alongside a portrait of Medal of Honor recipient Sammy L. Davis and entries from Ukraine and Brazil.
The film's raw honesty and artistic puppetry prove great storytelling needs only vision and heart—not big resources. This achievement, at an accessible event run by veteran George Ohan and inspired by VetFlicks, opens doors for Neha: networking opportunities, greater visibility, and inspiration for global indie filmmakers.
Film SynopsisStrings is a thought-provoking animated short that delves into the grind of corporate life through a powerful metaphor. It follows an ordinary office worker enduring daily exhaustion, pain, and fear under the invisible control of superiors—portrayed as a marionette manipulated by strings of authority. This bold commentary on power dynamics, burnout, and lost autonomy resonates universally, leaving a lasting impact in under two minutes.Film Details
  • Project Type: Animation, Experimental, Student, Short
  • Runtime: 1 minute 53 seconds
  • Completion Date: July 8, 2025
  • Production Budget: 3,000 INR ($37 USA)
  • Country of Origin/Filming: India
  • Language: English
  • Shooting Format: Stop-motion
  • Film Color: Color
  • First-time Filmmaker: Yes
  • Student Project: Yes (University of Petroleum and Energy Studies - UPES)
DirectorNeha Ganesh KumbharWriterDeb Kumar DeProducerDhruvit ShahKey Cast
  • Deb Kumar De as "Hand"
  • Neha Ganesh Kumbhar as "Doll Manipulation"
A huge congratulations to Neha Ganesh Kumbhar and the entire Strings team on this honorable mention and their cinematic debut on U.S. soil. This is just the beginning—watch for more from this promising filmmaker as she continues to pull the strings of innovative storytelling. If you're in Fresno, catch future screenings at the Historic Crest Theatre via FilmFreeway, and support global indie cinema!

Best Photography 

Photo Contest Winner
US Marine Aviator Returns Home from War

Congratulations to Tommy Anderson for winning our Photo Contest with his poignant image US Marine Aviator Returns Home from War. This evocative photograph captures the raw emotion of reunion and resilience, perfectly embodying the themes of sacrifice, homecoming, and healing that define veteran stories.
Tommy Anderson is a multifaceted veteran artist: best-selling author, award-winning screenwriter, actor, producer, and co-host of the podcast Real Talk with Tom & Sherry. His acclaimed works include Life After Oblivion, PTSD: A Soldier’s Revenge, and the upcoming Where the Sweetgrass Grows. With a distinguished service background in the U.S. Army and Air Force (rising to deputy fire chief), followed by years as a firefighter and medic, Tommy channels his experiences into authentic storytelling across film, books, and visual arts—including painting and photography.
An Emmy recipient for the PBS documentary Take Me Home Huey and former photojournalist with ABC7-LA News, Tommy continues to advocate for veterans while inspiring global audiences at festivals and events. This winning photo is a powerful testament to his eye for meaningful, heartfelt moments.
Well done, Tommy—this image touched everyone at the event!


Two Drums of Thought 

by Meysam Oghbaei


Heartfelt congratulations to Meysam Oghbaei from Iran for winning the Script Contest at the inaugural "Military Movies on Mondays" event in Fresno, California, USA! This clever, poignant short screenplay—originally written in Persian in 2017—follows a resourceful 9-year-old boy who, remembering a farmer's harsh threat to unleash his dog for "stealing" water, ingeniously disconnects the garden hose, blows air into it to hide the pressure drop, quickly fills his two drums, reconnects it, and escapes unnoticed. The farmer remains blissfully unaware while the boy triumphs with quiet defiance.

Meysam Oghbaei is an accomplished independent Iranian filmmaker, screenwriter, editor, and researcher with over 25 years of creative and academic experience, holding an MA in Cinema and a BA in Sociology. His acclaimed feature documentary A Beginning for the Final Songs of a River—a profound exploration of the environmental, political, and cultural decline of Iran's Zayandeh Rood river—earned the Best Feature Documentary Award and international praise.
His screenwriting has garnered multiple honors, including two Best Screenplay Awards for All My Revelations About Freedom. Earlier works like the short film Erosorium (Room 13) (screened in a Cannes sidebar) and The Line (Best Editing Award) showcase his innovative blend of fiction, documentary, and hybrid forms.
Winning in a U.S. military-themed showcase with this subtle tale of ingenuity and survival underscores the universal power of Oghbaei's storytelling—bridging cultures and borders with grace and insight. A truly inspiring international victory!
@georgeohan
Founder, Military Movies on Mondays

We held a production crew meeting to discuss Sarah Jones. As per usual, our slate had the #safetyforsarah sticker taped right at the top, so we remember safety above all. Education and training was provided by George Ohan.
#SafetyForSarah

This inaugural event, founded by U.S. Army veteran George Ohan (
@georgeohan
) and inspired by VetFlicks, proved that inclusive platforms can amplify diverse voices without gatekeeping.

A huge thank you to our sponsors: American Legion Vanguard Gaming Post 1337 (alpost1337.org), all participating filmmakers, cast and crew (special shoutout to actor/veterans Michael Broderick and Tim Abell), photographer Cody Smith, and everyone who attended.
Safety was priority one—every production discussion honored #SafetyForSarah.Mark your calendars—Military Movies on Mondays returns soon. Follow
@georgeohan
for updates and submit your work via FilmFreeway. Let’s keep telling these vital stories.